Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Bertoglio, Chiara: Bach performance in Italian 'instructive editions'. [cr]Aveiro2009 (2009) Papers read at Performa '09 - Conference on Performance Studies, University of Aveiro, May 2009. http://performa.web.ua.pt/pdf/actas2009/14_chiara_bertoglio.pdf | |
| 2. | Bertoglio, Chiara: Instructive Editions and Piano Performance Practice: A Case Study. Bach's Well-Tempered Clavier in Italy between 19th and 20th Century. Köln: Lambert Academic Publishing, 2012. 364p. ISBN: 978-3-8473-2151-4. | |
| 3. | Bertoglio, Chiara: Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. diss. (2012), 466p. PhD diss., University of Birmingham. 2012. 466p. | |
| 4. | Bertoglio, Chiara: Instructive Editions of Bach's Well-Tempered Clavier in Italy. [p]BNUK_Warsaw (Jul 2013) A paper read in the session 'Young Scholars' Forum' at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. | |
| 5. | Bertoglio, Chiara: A Perfect Chord: Trinity in Music, Music in the Trinity. Religions 4 (2013), 485–501. http://www.mdpi.com/2077-1444/4/4/485/pdf | |
| 6. | Bertoglio, Chiara: Instructive Editions of Bach's Well-Tempered Clavier in Italy. [p]BICB_Salzburg (Jul 2014) Lecture Recital given at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014. | |
| 7. | Bertoglio, Chiara: Italian Instructive Editions of The Well-Tempered Clavier: A Useful Resource for Performance Practice Studies. UnderstandingBach 9 (2014), 49-74. http://www.bachnetwork.co.uk/ub9/UB9-Bertoglio.pdf | |
| 8. | Bertoglio, Chiara: Enhancing the Spectacular: Busoni on Bach's Goldberg Variations. [p]BNUK_Cambridge (Jul 2015) A lecture recital presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. | |
| 9. | Bertoglio, Chiara: The Mother, the sinners and the cross. [ce]Bertoglio (2016), 61-106. Chapter 3. [A comparison between Pergolesi's Stabat Mater and J. S. Bach's version of the same work, Tilge, Höchster, meine Sünden] [BWV 1083] | |
| 10. | Bertoglio, Chiara: 'Mit Harfen und mit Zimbeln schon': Bach's cantata BWV 140 as a case-study for a theological interpretation of music. [ce]Bertoglio (2016), 107-178. Chapter 4. | |
| 11. | Bertoglio, Chiara: Through music to truth: Music and theology in dialogue with Italian culture. Cantalupa: Effatà, 2016. 187p. ISBN: 88-6929-151-0; 978-88-6929-151-7. (= L'occhio dell'anima) [contents] | |
| 12. | Bertoglio, Chiara: Busoni on how to transcribe from the organ to the piano: an easy course in ten Preludes. [p]BNUK_Cambridge (Jul 2017) A lecture recital presented at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017. | |
| 13. | Bertoglio, Chiara: From Bach's violin to Italian pianos: the Sei Solo in the Italian piano transcriptions. [cr]Montecassiano2019 (2019), 17-24. Chapter 2. | |
| 14. | Bertoglio, Chiara: Translating Bach: Understanding Bach Piano Performance through Lipiñski's Instructive Edition [cr]Warsaw2017 (2019), 343-367. Abstract: pp.368 (pl), 369 (en). | Latin 2
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